Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Two lady dressing up hair oil painting


Two lady dressing up hair
mk206 1896-1900 Oil on canvas 82x87cm
Painting ID::  49989 		Edgar Degas
Two lady dressing up hair
mk206 1896-1900 Oil on canvas 82x87cm
   
   
     
Edgar Degas Dancer in the red oil painting


Dancer in the red
mk206 1897-1901 oil on canvas 81.3x62.2cm
Painting ID::  49990 		Edgar Degas
Dancer in the red
mk206 1897-1901 oil on canvas 81.3x62.2cm
   
   
     
Edgar Degas Breakfast oil painting


Breakfast
mk206 1896-1899 Oil on canvas 96x110cm
Painting ID::  49991 		Edgar Degas
Breakfast
mk206 1896-1899 Oil on canvas 96x110cm
   
   
     
Edgar Degas Four dance oil painting


Four dance
mk206 1896-1898 Oil on canvas 151.1x180.2cm
Painting ID::  49992 		Edgar Degas
Four dance
mk206 1896-1898 Oil on canvas 151.1x180.2cm
   
   
     
Edgar Degas Dance have a break oil painting


Dance have a break
mk206 about 1896 Oil on canvas 51x40cm
Painting ID::  49993 		Edgar Degas
Dance have a break
mk206 about 1896 Oil on canvas 51x40cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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